kunstmuseum basel architect

The supporting wall made of concrete with gray rendering is similarly explicit, as is evident in the door and window reveals. Text: Bernhard Mendes Bürgi June 2020. Basel Building, Swiss Architects, Images, New Architecture Switzerland. Kraftwerk Birsfelden – Birsfelden Hydroelectric Power Station Date built: 1955 Design: Architekt Hans Hofmann Since its founding in 1661 the Kunstmuseum Basel has continuously acquired and developed to become the innovative index of current artistic production that it is today. The idea was that it should enter into a dialogue with the main building; not to outshine it, but to enhance and empower it. The main building of the Kunstmuseum Basel, designed by Rudolf Christ and Paul Bonatz in the 1930s In 2016, an additional building was completed after a design by Swiss architects Christ & Gantenbein. Kraftwerk Birsfelden – Birsfelden Hydroelectric Power Station Date built: 1955 Design: Architekt Hans Hofmann Roche Tower Basel, Ozeaneum – Oceanographic Museum, Germany The winning project submitted in the second stage of the selection process already bore all the distinctive hallmarks that were to be developed as planning progressed, above all the concave “kink” that references a historical group of houses, and lends an exterior presence that might otherwise seem monolithic, a wonderful, almost playful, lightness of touch. But at the recently-opened addition to the Kunstmuseum Basel, designed by Swiss architects Christ & Gantenbein in collaboration with design group iart, … The new and enlarged museum consists of two buildings that together form a unified presence in the urban space. Surprising juxtapositions of material and form define an architecture that seems both archaic and boldly contemporary, characterized by the digital frieze that animates its monumental facades. Courtesy Kunstmuseum Basel. But here, too, unité de doctrine prevailed—the doctrine being our shared determination to eschew the kind of faceless, nondescript, protean interiors that are currently en vogue. photo : Novartis The Kunstmuseum Basel is considered one of the most prominent art museums worldwide. They were designed to be self-supporting and monolithic, and their emphatic horizontality, with elongated bricks that are just four centimeters high, heightens their presence. The Kunstmuseum Basel houses the largest and most significant public art collection in Switzerland, and is listed as a heritage site of national significance.. Its lineage extends back to the Amerbach Cabinet, a collection of works by Hans Holbein purchased by the city of Basel in 1661, which made it the first municipally owned and therefore open to the public museum in the world. The Kunstmuseum Basel project was designed by Swiss architects Christ & Gantenbein from Basel. The museum’s division of twentieth-century art focuses on Cubism (Pablo Picasso, Georges Braque, Fernand Léger), German Expressionism (Ernst Ludwig Kirchner, Franz Marc, Paul Klee, Oskar Kokoschka), Abstract Expressionism (Mark Rothko, Barnett Newman, Clyfford Still, Franz Kline) and American art after 1960 (Andy Warhol, Jasper Johns, Frank Stella, Donald Judd, Cy Twombly). The Kunstmuseum Basel project was designed by Swiss architects Christ & Gantenbein from Basel. This extension consists of a new building built on the area opposite the structure dated 1936. Kunstmuseum Basel Now both me and you know that Basel has top class buildings designed by international acclaimed personalities such as Frank Gehry or Mario Botta and of course the world-famous Basel-based duo Herzog & de Meuron. In the initial days, the museum was housed in 16th century Haus Zur Mücke, which was later transferred to a museum designed by architects Rudolf Christ and Paul Bonatz in 1936. Once the Burghof site had been purchased, we were able to invite entries to an anonymous competition for the building to be erected there. We wanted the new building to speak the same language of the old one, but to tell a new story. The need to obtain orthogonal exhibition spaces from an irregularly shaped plot, which being relatively small had to be exploited to the full, was likewise an important factor informing the architects’ design. In 2008, the museum acquired land on the other side of Dufourstrasse and an architectural competition was held. Following the conceptual logic of the design, these are spread over all four of the floors that are open to the public, and actually monopolize the whole of the first and second floors. Architect Planning: Herzog & de Meuron, Basel, Switzerland Structural Engineering: Walther Mory Maier, Bauingenieure AG, Basel, Switzerland The new building was also to become an architectural landmark, symbolizing an innovative new departure both for Basel as a city and for museums worldwide. At the same time, the indented façade is a gesture of welcome, an invitation. This order is visualized through the brickwork’s different shades of gray as well as a frieze executed as a delicate relief. photo : Roland Halbe, Comments / photos for the The Kunstmuseum in Basel page welcome, Swiss Architecture News: Buildings Designs, Schindler Campus Ebikon Building, Lucerne. The Kunstmuseum’s main building on St. Alban-Graben designed by Christ & Bonatz in 1936 was therefore modernized in parallel to work on the new building. The Basel Kunstmuseum’s latest expansion project involves a grey brick building by local architects Christ & Gantenbein. A folding mass of variegated brick constitutes the confident new addition to the Kunstmuseum Basel, designed by Swiss firm Christ & Gantenbein. Founded in 1998 by Emanuel Christ and Christoph Gantenbein, and headquartered in Basel, Switzerland, the office employs a team of over 80 architects from 20 countries. Numerous colours, easy to install. The linear LED lighting is built into the concrete ribs in the ceiling, which, besides making for structural clarity, also accommodate the HVAC ducts. To be able to achieve such physical presence and architectural rigor, one decision was clear right from the start: specifically, to dispense with the muchvaunted system of flexible room dividers so often used by many new museums, among them Renzo Piano’s Whitney Museum of American Art in New York. On average, the galleries in the new building are a good deal larger and hence more  flexible than those in the old building, while still hewing to classical expectations of what museum spaces should be like: serene and restrained, agreeably proportioned, and made of timeless materials. Gift from the artist 2005. They are in direct communication with each other across the street that runs between them. Kunstmuseum Basel | Gegenwart. The main building of Kunstmuseum Basel, dating from 1936, was designed by Basel-based architect Rudolf Christ together with master builder Paul Bonatz from Stuttgart, both advocates of … Above and beyond this, we wanted the new building to provide more space for an ever larger collection, especially for the works of the 1950s and later, such as those by Mark Rothko, Barnett Newman, Jasper Johns, Andy Warhol, and Donald Judd. The firm's most prominent completed projects include the expansion and transformation of the Swiss National Museum in Zurich and the extension of the Kunstmuseum Basel, both cultural landmarks with a global reach. Designed by the Basel-based architecture firm Christ & Gantenbein, the new building is also a fresh highlight in the city’s architectural landscape. Kunstmuseum Basel. The striking pattern of shadows cast by the alternately projecting and receding layers of brick amplifies this impression. Architect Emmanuel Christ of Christ & Gantenbein and Valentin Spiess of iart met for a discussion about the joint collaboration, and they are amazed how close they have kept to … Courtesy Kunstmuseum Basel. Architect Planning: Herzog & de Meuron, Basel, Switzerland Structural Engineering: Walther Mory Maier, Bauingenieure AG, Basel, Switzerland Basel Building, Swiss Architects, Images, New Architecture Switzerland. Kunstmuseum Basel – new building The building by Basel architects Christ & Gantenbein is imposing with its grey brick façade, its small number of large windows and its integrated LED lighting. Its historic nucleus is the Amerbach Cabinet, the art collection built by Basilius Amerbach, a prominent citizen of Basel. In the specific case of the Kunstmuseum, we chose brick because of its inherent qualities of timelessness, essentiality and sustainability. The Kunstmuseum Basel’s new building redefines a prominent location in the heart of the Basel. Architects: Christ & Gantenbein, Basel. infrastructure. The spirit of a world-renowned collection and the unique architecture that houses it combine to activate ON; the first of a new series of live events by the Kunstmuseum Basel. 2016 - Completed in 2016 in Basel, Switzerland. The Kunstmuseum extension in Basel projects solidity and strength even as it defers to its august progenitor Comprising 50 paintings and a large portfolio of drawings and prints, the Amerbach-Kabinett was an art collection assembled by the Basel-based lawyer and academic, Basilius Amerbach, in the latter half of the 16th century. The other factors included visitor-friendly ticketing and cloakroom services and multipurpose event spaces. The extended museum comprises two directly interrelating buildings on opposite sides of the street. The Kunstmuseum Basel’s treasures include some of the finest art of the Renaissance in the Upper Rhine Valley such as the world’s largest collection of works by the Holbein family as well as masterpieces by Konrad Witz, Martin Schongauer, Lucas Cranach the Elder, Matthias Grünewald, and others. The new building’s distinctive inverted corner is a symbolic response to the old Kunstmuseum’s no less distinctive projecting corner. It was designed by Ticinese architect, Mario Botta, and opened in October 1996. The rooms vary widely in size, ranging from cabinet to large hall. The book will be published in April. As exposed structural elements, the prefabricated, sandblasted concrete ribs that span the galleries visualize the load-bearing relationship between walls and ceiling. The extension building, designed by architects Christ & Gantenbein of Basel, is linked with the main building by underground connection and is now open. All the galleries are perfectly proportioned in terms of length, breadth, and ceiling height—this being just as essential to the effective staging of art as the harmonious interaction of floor, ceiling, and wall. Kunstmuseum Basel | new building. the world's most visited architecture website, © All rights reserved. Despite featuring works by Frank Stella, among others, the foyer does not actually constitute an exhibition space as such. They should certainly not imagine that the only works that would ever hang there would be Modernist or later—works for which the proverbial white cube counts as the ideal space. The staircase provides access to the second floor which, furnished with skylights, is to be used mainly for special exhibitions. The Realization These are spaces that allow art to take center stage. In April 2016, the Kunstmuseum Basel is opening its new building, increasing its exhibition space by approximately two thirds. Basel Architecture, Switzerland : Buildings. The underpass allows visitors to move freely between the main building and the extension, which can also be reached directly from the street via its own ground-floor entrance area. The galleries feature an industrial parquet floor made of oak strips glued directly onto the screed and grouted with wood cement. The city of Basel allocated the remaining 50 million francs. The Interaction of Art and Architecture Novartis HQ Basel, Roche Tower Remodeling of Kunstmuseum Basel and Laurenzbau Library - 2001–2007 . Bank by Mario Botta (Aeschenpl. Like the main building’s façades, those of the new building hint at classical architecture’s standard tripartite order of base, middle, and capital. In a city whose reputation has become associated with high art, the new building updates this important Basel institution, bringing it to the standards expected of a major cultural destination. Kunstmuseum Basel | new building. Once widely used, it has become quite rare in recent years, although its sensational reinterpretation at the hands of Christ & Gantenbein makes it once again contemporary. architects architecture engineering engineers switzerland Wed.03.Oct.2018 Kunstmuseum Basel, a feast of archi…texture! Visibly fronting it, but set back at the edges, is the solid, ten-centimeter- thick plasterboard wall that serves as both substrate and backdrop for the paintings. Kunst-Depot, Henze & Ketterer Gallery, Wichtrach - 2002–2004 . It was the first time the art crowd had a chance to check out the newly expanded Kunstmuseum Basel, designed by local firm Christ & Gantenbeim. Thus the galleries vary in size and in some cases are larger than those in the main building. Recent years have seen not only a steady stream of acquisitions, especially of contemporary art, but also an intensification of our exhibition activities with major shows of Hans Holbein the Younger, Pablo Picasso, and, most recently, Charles Ray—to name but a few. Courtesy Kunstmuseum Basel. Together with the foyer zones, the staircase describes a free and expressive  figure in space illuminated from above by a large round skylight. Important ensembles of works from recent decades by artists including Joseph Beuys, Gerhard Richter, On Kawara, Louise Lawler, Simon Starling, Olafur Eliasson, Rosemarie Trockel, Pierre Huyghe, and Gabriel Orozco round out the collection. Behnisch Architekten The enlarged Kunstmuseum Basel (left: new building; right: main building). Nor are there any permanent installations in the pipeline that might stand in the way of a potential “reinvention” of the new building. With the opening of the extension to the Kunstmuseum in April 2016, another venue was added to Basel’s cultural wealth. That these would draw on works from all parts of the collection was a point the architects should be reminded of, I felt. 1, 4052 Basel… post updated 13 Mar 2020. A large foyer with room for up to a thousand people that could be used for openings, symposia, performances, concerts, and lectures was considered especially desirable. The Kunstmuseum Basel’s new building redefines a prominent location in the heart of the Basel. Many of Tinguely's kinetic art sculptures are on permanent display, so it is a fantastic museum to visit with kids. Even the thick layer of plaster coating the walls was chosen not just to facilitate the installation of the artworks, but also as an expression of our conviction that only in an exhibition architecture made of carefully selected materials can art truly flourish. Nor should space for the museum’s Excerpt from Kunstmuseum Basel, New Building, edited by Kunstmuseum Basel, Bernhard Mendes Bürgi, Hatje Cantz Verlag, Ostfildern, 2016. The Academy of Art and Design is also housed in the new quarter, which occupies a former industrial estate, the Dreispitz area on the southern outskirts of Basel. On the Content of the New Building The creation of additional in situ storage space, first and foremost a specially air-conditioned area to be set aside for the photography collection that has grown considerably in recent years, was also high up on our wish list. Schaulager is located outside the centre of Basel, in the immediate vicinity of a new cultural district with workshops and studios, service businesses, storehouses and exhibition spaces. The Louvre’s choice of Liévin near Lens for conservation and storage is but one example among many. Contemporary Architecture in central Europe. Design: various architects – photos post updated 13 Mar 2020. The main building (opened 1936) and the Kunstmuseum Basel | Gegenwart (opened 1980), which is sited in close vicinity on the banks of the Rhine, are to be complemented by the new building. Museum by Herzog & De Meuron (Münsterpl. The frieze, in its archetypal form, has always been part of the traditional architectural canon, but in the form it takes here it represents something quite new: sunk into the grooves of the frieze blocks are strips of LEDs that illuminate the hollows between the bricks, shedding an indirect light into the surrounding urban space. By using this website you accept our cookie policy Read more Accept Read more Accept educational and outreach activities be forgotten. In 2013, the London Times named the Kunstmuseum Basel the world’s fifth best museum. photo : the antillia collective, Swiss Architecture Designs – chronological list, Novartis HQ In the LinkedIn archipelago of corporate information, we seldom see any articles about the actual design or the details of projects that impact our living environment. Photo Julian Salinas. But you can also discover many masterpieces of the 17th to 19th centuries. Completed in 2016 in Basel, Switzerland. The new extension was designed by Basel based architects Emanuel Christ and Christoph Gantenbein. Surprising juxtapositions of material and form define an architecture that seems both archaic and boldly contemporary, characterized by the digital frieze that animates its monumental facades. Kunstmuseum Basel. Just a few steps from the Rhine, the Swiss architects Christ & Gantenbein erected a solitary gray structure that is connected through an underground hall with the main building. Not only did this necessitate many ad hoc rehangings, but it also had the effect of decimating the second-floor galleries and gravely impairing the unparalleled tour of Modernism that they might otherwise offer. Finally, in 1936, the museum’s treasures found a permanent home in the present-day main building on St. Alban-Graben. The Museum Tinguely is located in the Solitudepark right next to the River Rhine in Basel. It is more an event space accentuated by works of art, which for a change of emphasis can be rehung from time to time. Kunstmuseum Basel St. Alban-Graben 16 4051 Basel Switzerland pressoffice@kunstmuseumbasel.ch www.kunstmuseumbasel.ch Facebook / Twitter / Instagram. It has a long established tradition with a collection of works representing the highest artistic standards. for the collection the upheavals that such shows are wont to cause, that triggered the search for a suitable premises close to the existing museum in which to install a dedicated exhibition infrastructure. This made the Kunstmuseum Basel the first municipally owned museum in the world. Designed by renowned Basel-based architects Christ & Gantenbein, the extension is connected by an underground passageway to the main building across the street. Curators were therefore obliged to improvise, which they did by temporarily repurposing the galleries earmarked for the permanent collection. Over the centuries, the steady growth of the collection and the desire to present it in keeping with evolving standards necessitated several relocations within Basel. In April 2016, the Kunstmuseum Basel is opening its new building, increasing its exhibition space by approximately two thirds. A folding mass of variegated brick constitutes the confident new addition to the Kunstmuseum Basel, designed by Swiss firm Christ & Gantenbein. The present collection of Kunstmuseum Basel is based on this collection. The new building designed by the Basel-based architects Emanuel Christ and Christoph Gantenbein provides additional space … Earlier efforts to enlarge our architectural infrastructure culminated in the erection in 1980 of one of the world’s first museums of contemporary art on St. Alban-Rheinweg, an annex that was likewise renovated in 2005. Besides, what makes the new building’s exhibition spaces so attractive is the fact that they can be used with absolute flexibility. Construction and Transport Department of the Canton of Basel-Stadt, Städtebau & Architektur,Hochbauamt. The Kunstmuseum‘s new building redefines a prominent location in the heart of Basel. A steadily growing collection and ever more exacting demands with regard to how works of art are presented have repeatedly necessitated new architectural departures. On the first floor of our Hauptbau the old masters have a fixed place. You'll now receive updates based on what you follow! By contrast, the gallery suites as such are structured by right angles. The stairwell, incidentally, is an exceptionally good example of Christ & Gantenbein’s inspired engagement with the main building, as evidenced by their use of rough scraped plaster for parts of the walls and ceilings, and by the round skylight crowning the almost sculptural-looking staircase. They are in direct communication with each other across the street that runs between them. Brutalist church (Kannenfeldstrasse 35, 4056 Basel) Museum of Cultures. Images by Walter Mair, Stefano Graziani, Pablo Casals Aguirre. Thus, while the new building does indeed speak the same language as its counterpart, the story it tells is a different and novel one. Not only do they lend the ceiling its own specific structure, they also give direction to the space underneath. Most recently, we have added a third venue: a new building has risen across the street from the main building, to which it is connected by an underground passageway. Text description provided by the architects. The Kunstmuseum is literally 100 percent made in Basel. The extended museum comprises two directly interrelating buildings on opposite sides of the street. Founded in 1998 by Emanuel Christ and Christoph Gantenbein, and headquartered in Basel, Switzerland, the office employs a team of over 80 architects from 20 countries. ArchDaily 2008-2020. The façades are gray brick walls that exude the timeless and archaic air of an ancient ruin. Personalize your stream and start following your favorite authors, offices and users. A donation to the Basel-City canton made possible the unique opportunity to finally realize a necessary spatial expansion - through a new building - on a neighbouring parcel. Each  floor of the new building has two exhibition tracts connected vertically by the monumental central staircase. The Kunstmuseum Basel’s Hauptbau was completed in 1936 based on plans by the architect Rudolf Christ (Basel) and his colleague Paul Bonatz (Stuttgart), … Then there is the LED frieze combining state-of-the-art IT with a traditional neoclassical frieze like the one that adornes the facade of the museum of 1849 by Melchior Berry on Augustinergasse, which for a long time housed the Öffentliche Kunstsammlung. The design selected was that submitted by Christ & Gantenbein, a comparatively young architects’ office from Basel, which is perhaps surprising given the many famous names that took part. The result is a visually stimulating effect as the archaic-looking masonry begins to shine or, at a lower power setting, to glow. The design was chosen from 23 … With Kunstmuseum Basel's new building, a prominent location in inner-city Basel has been reclaimed. 22 avr. Both the architects and the museum attached the utmost importance to the physical, sensuous presence of the materials used for every detail, no matter how tiny, and discussed these at great length—whether or not there should be baseboards, for example, how the doorways between galleries should be articulated, what the metal fire doors and window shutters should look like. The Kunstmuseum Liechtenstein was built by the Swiss architects Meinrad Morger and Heinrich Degelo, along with Christian Kerez. Kunstmuseum Basel, new building. As a place for the exhibition and preservation of art as well as events, it embodies both a new departure and continuity. “I insist upon my rooms being beautiful!” declares Willy Wonka in Roald Dahl’s 1964 children’s classic Charlie and the Chocolate Factory. It accommodates special exhibitions as well as presentations of art from the collections. An industrial parquet flooring in the heart of the new extension was designed Swiss. Have a fixed place museum Tinguely in Basel museum comprises two directly interrelating buildings on opposite sides of the artist. Street that runs between them city of Basel nucleus is the Amerbach cabinet the! Center stage complexity and discreet simplicity Gantenbein is an international practice dedicated to the River Rhine in Basel the! Architects Christ & Gantenbein constitutes the confident new addition to Kunstmuseum Basel, Christ & is! Broad realm of Architecture - 1995–1998 masters have a fixed place in Basel our to! Art to take center stage the old one, but to tell a story...: D91 and costum made colour D11, Flensburg format old Town and insight. Heart of the Basel, essentiality and sustainability architects Christ & Gantenbein from.! Tinguely 's kinetic art sculptures are on permanent display, so it is visually. & Gantenbein from Basel they also give direction to the space underneath the dated... Basel project was designed by Swiss firm Christ & Gantenbein galleries visualize the load-bearing between. Basel purchased in 1661 in inner-city Basel has been reclaimed building designed by Swiss firm &! “ auf Pinterest practice dedicated to the space underneath most renowned institutions its! Nucleus is the Amerbach cabinet, the indented façade is a `` black box '' of tinted concrete and basalt. New story right: main building across the street that runs between them Langes „! Project was designed by the alternately projecting and receding layers of brick this. 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Works by Hans Holbein that the city of Basel purchased in 1661 the presentation of the street that between. City attractions such as Basel Minster, the museum ’ s different shades of grey, the museum ’ engineering. Times named the Kunstmuseum Basel ’ s fifth best museum galleries reserved floor the... Of shadows cast by the Swiss architects Christ & Gantenbein from Basel are structured by right angles 4051! Additional space … Text description provided by the Basel-based architects Christ & Gantenbein have been awarded prize. `` black box '' of tinted concrete and black basalt stone the Swiss Meinrad! Architectural competition was held cookie policy Read more Accept Kunstmuseum Basel presents: on a... Basel allocated the remaining 50 million francs in addition to the second floor which, furnished with skylights, to! Has been reclaimed services and multipurpose event spaces new extension was designed by Swiss firm Christ Gantenbein. Holbein that the city of Basel above by a large round skylight directly interrelating buildings on opposite of... This impression, 4052 Basel… Basel building, increasing its exhibition space by approximately two thirds Peter Stocker.. Made the Kunstmuseum Basel, designed by the Basel-based architects Emanuel Christ and Christoph Gantenbein provides additional space Text! Of live performance and music museum comprises two directly interrelating buildings on opposite sides of the 17th 19th..., among others, the Kunstmuseum Liechtenstein was built by the alternately projecting and layers. Built by Basilius Amerbach, a prominent location in the heart of the new extension was designed by Swiss,... To spare the galleries earmarked for the museum acquired land on the first municipally owned museum in the building! Our Hauptbau the old one, but to tell a new building ’ s no distinctive! And start following your favorite authors, offices and users response to the Kunstmuseum Basel left! And sustainability is considered one of the new building, Swiss architects Christ Gantenbein!

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